I’ve had it in mind for months to make a baby sized version of my Three Flocks design. My starting point was a lovely print from Leah Duncan’s collection called “Morning Walk” that I picked for the backing. I guess I am literally working back-to-front, but it works for me! The print is so charming and subtle–I love that it hints at floral but is still a simple geometric pattern. I took my palette for the flying geese from the print’s muted primary colors and added some salmon, peach and aqua.
My original “Three Flocks” quilt has three big triangles made of decreasing rows of flying geese triangles. I knew that I would only have two “flocks” in a baby size quilt, and would have one less row in each big triangle. Once I had all my triangles made and ready to arrange, I discovered the design just didn’t look right in the smaller frame of the crib size quilt. Something about having two big triangles made the design feel sort of heavy. I think that old design theory–things are always better in odd numbers–must be right!
Or maybe not, the design I ended up with has eight blocks of four triangles–nothing odd about that. This layout seemed to fit the size of the baby quilt better and gave a little more breathing room for the colors.
The binding is Kona Ochre, also used as one of the triangle colors. I played around with different options for the binding (including some patterns!), but I really like the warmth of the ochre. I can’t resist adding this picture that includes the newest member of our family–Olive!
I’ve added this quilt to my Etsy shop!
I just wanted to take a moment to sing the praises of the lovely people at Marmalade Fabrics. I ordered some Kona Solids from Marmalade a few months ago when one of the new colors I was looking for was sold out at my usual suppliers. Of course, I couldn’t order just one color so I ordered a a handful of yards and half yards.
My package arrived promptly and was beautifully packaged. I especially loved that each cut of fabric had a label with the color name. Tammy, the shop owner, also enclosed swatches of two new Kona colors that she thought I might like. Can it be that she is not only prompt and thoughtful but also psychic? Perhaps, because I really did love those colors.
OK, so this level of service would be enough to make Marmalade a great choice for an online fabric provider, but here’s the best part: Marmalade offers loyalty points. Last night I succumbed to temptation and ordered some Kona Solids in yellow (more on why yellow below). I was so pleased to be told that I had earned more than $14 in points that I could apply to my purchase. While I could admit that there is some sort of cycle going on here that involves fabric purchases leading to more fabric purchases, I think it’s safe to admit that I will be buying fabric no matter what and how great is it to be rewarded for it?
So why yellow? I almost never use yellow. I see lovely examples of yellow in other quilters’ work (check out my Quilt board on Pinterest, and you’ll see lots of yellow) but I always seem to edit it out of my own designs. Not this time. I spied a piece of art tucked in the corner of a photo from the most recent DWR catalog that jumped out at me as a great quilt design. I plan to make a throw with a big center square in Kona Snow surrounded by thin squares in shades of bright yellow and maybe a little chartreuse. I am so looking forward to my package from Marmalade!
My guild (Gainesville Modern Quilters) has a chance to exhibit our modern quilts at a local college, and I want to make something a little outside of my usual style. I’ve been playing around with a palette of teal and salmon, but hadn’t quite hit upon a design that was interesting but still simple enough. Then, I was browsing around pinterest (I could go on about why I love pinterest, but I’ll save that for another time) and I came across this photo of pillows from London textile designer Naomi Paul. All those lovely blues and touches of peach — I found the perfect design. I love the limited palette and the traditional quilt motifs. I’m planning to make nine blocks with blues, bone, salmon and coral (of course!) with Kona snow between.
I’m hoping to finish the quilt top this weekend!
This quilt is a modern interpretation of an Amish bars quilt, and it turned out almost exactly like my original paper sketch. The colors remind me of California–sunny and laid back–and I think the organic shapes of the bars keep the design from feeling rigid. I debated about using a patterned binding. As much as I love solids, it didn’t work to pick up one of the colors from the bars, and I couldn’t find a good contrasting color–but the Yuwa aqua honeycomb seemed just right. With the pared down design, this little touch of pattern adds some fun without being fussy. Plus this fabric is so soft and silky it really adds to the drapey texture of this quilt. The backing fabric is Cloud Nine Simpatico in Peachy Straws–which is a lovely organic fabric.
I am adding this quilt to my Etsy shop!
I made several blocks in a pattern that matches the UFO block that I chose from my Modern Quilt Guild exchange. The blocks were super fun to make. I don’t often make traditional blocks–so I was pleased to see that my seams lined up! So far so good. Except then I had to find a way to piece them together so the UFO block (which is slightly larger and hand pieced) won’t look like an alien among the new blocks. First I tried a sort of scrappy approach with bone white and gray.
I didn’t think the pale colors worked with the bold colors in the stars.
Next I placed the new star blocks in a strip and tested some darker colors next to it. I like the charcoal and mustard yellows. I think I might finish the top by placing the UFO block at the center of a log cabin with more mustard and maybe some hot pink? I really need to finish this top up so I can get it quilted by our guild meeting on September 3. Yikes!