I’ve had it in mind for months to make a baby sized version of my Three Flocks design. My starting point was a lovely print from Leah Duncan’s collection called “Morning Walk” that I picked for the backing. I guess I am literally working back-to-front, but it works for me! The print is so charming and subtle–I love that it hints at floral but is still a simple geometric pattern. I took my palette for the flying geese from the print’s muted primary colors and added some salmon, peach and aqua.
My original “Three Flocks” quilt has three big triangles made of decreasing rows of flying geese triangles. I knew that I would only have two “flocks” in a baby size quilt, and would have one less row in each big triangle. Once I had all my triangles made and ready to arrange, I discovered the design just didn’t look right in the smaller frame of the crib size quilt. Something about having two big triangles made the design feel sort of heavy. I think that old design theory–things are always better in odd numbers–must be right!
Or maybe not, the design I ended up with has eight blocks of four triangles–nothing odd about that. This layout seemed to fit the size of the baby quilt better and gave a little more breathing room for the colors.
The binding is Kona Ochre, also used as one of the triangle colors. I played around with different options for the binding (including some patterns!), but I really like the warmth of the ochre. I can’t resist adding this picture that includes the newest member of our family–Olive!
I’ve added this quilt to my Etsy shop!
This baby quilt was inspired by the the beautiful geometric paintings of the Australian artist Esther Stewart. Her palette is so inspiring. I particularly like how she combines pastels and earthy tones with touches of bright color. I played around with some different layouts based on some her paintings and ended up with three columns that pick up her motifs of triangles and bars of solid colors. I had so much fun playing around with the balance of pastels, brights, and neutrals. I originally had a dark blue background but my daughter persuaded me to go with gray. The gray doesn’t compete with the piecing in the way the blue did, and I’m so happy with the result. That kid has a good eye for color!
I straight-line quilted using my walking foot, using the diagonals in the piecing as my guide. I really like the places where the diagonal lines intersect. My quilting was a little more dense than my usual pattern, but the finished quilt is still really soft and lofty.
I have added this quilt to my Etsy shop!
I finally used some yellow (almost) in a quilt and I love it. When I started working on the design I was planning to use the yellow print (from the Olympus Soleil collection) along with a citron yellow. Then I noticed the print’s selvage colors (the little colored circles at the edge of the fabric that show what inks are used in the print) and I was surprised that there wasn’t a true yellow. Even though the overall effect is yellow–the actual colors are chartreuse, lavender, peach, mint, and ecru. I had ordered some Wasabi Kona cotton (one of the new colors) for another project and it was a perfect match for with the yellow-green in the print.
Wasabi is one of those colors that really changes depending on the light–sometimes it looks green and sometimes yellow. The linen is handkerchief weight in natural from fabrics-store.com. It has a really beautiful drapy-ness. I used gray gingham for the back–I love how the yellow-green contrasts with the gray. This quilt is added to my Etsy shop.