I set out to make a colorful quilt with plenty of white space for my bedroom. I knew I wanted to include triangles in the design, but wanted to keep it fairly simple. Originally, my thought was to have three rectangular blocks of triangles. I liked the idea of having one column of triangles in each block with the background and foreground reversed. But, what seemed great in my head and looked promising on sketch paper felt sort of heavy and static when I laid out the fabric triangles. A little playing around and I came up with the big triangles.
Because this quilt was intended for a specific space, I tested out different layouts on my bed. It was really helpful to see how the design would work on the surface of the bed–by eliminating the sides of the quilt from the visual field. I think this technique is especially useful for larger quilts. (Plus I don’t have space for a design wall, so my bed makes a pretty great surface for experimenting with layouts.)
This design has the right balance of white and color that I was looking for. The colors are unusual for me, but I love how cheerful they are. I used a print from Leah Duncan’s Meadow collection for the backing, with a little bit of orange at the top. The binding is from Carolyn Friedlander’s Architextures collection. I like how the gray adds a dash of sophistication to the palette.
I quilted using the diagonal edges of the triangles as guides to create a grid. I was really pleased how the quilting lines create a sort of argyle effect. The lines are spaced two inches apart, which gives the quilt a really soft and cozy feel.